What's the difference?
The Ferrari 12Cilindri should not exist. Everything about it shouts of excess to the point of illegality. Surely, one would assume, emissions regulations have made a vehicle with a naturally aspirated V12 engine as socially, and indeed legally acceptable as asbestos sandwich wrapping.
The work it must have taken to somehow squeeze this thing through the regulatory net is clearly more than any other company could be bothered with - the 12Cilindri is the only new atmo V12 a lot of money can buy.
Ferrari made the effort because this car, with this layout, is an integral part of the brand’s heritage, dating back to 1947, the rock on which it is built. Old Enzo Ferrari himself said the V12 is the Ferrari engine “everything else is a derivation of the original”.
And, of course, they made it because there are plenty of purists out there who will pay big, big dollars to have one. We flew to an unfortunately soggy launch for the car in Luxembourg to see what a V12 that can now rev to 9500rpm would feel, and sound like.
Since 1949, Abarth has been giving the venerable Italian brand, Fiat, a patina of performance, based largely on giant-killing feats in small modified cars like the Fiat 600 of the 1960s.
More recently, the brand has been revived to boost the fortunes of the smallest Fiat on sale in Australia. Known formally as the Abarth 595, the tiny hatch packs a bit of a surprise under its distinctive snout.
In the near future we’ll look back at the 12Cilindri and say it’s a shame Ferrari doesn’t make cars like that any more. But if this is the last proper, naturally aspirated V12 Ferrari ever, it’s definitely a worthy one. One day you’ll enjoy seeing this in a car museum.
Note: CarsGuide attended this event as a guest of the manufacturer, with travel, accommodation and meals provided.
It’s tough to be kind to the Abarth 595. Based on a platform that’s more than a decade old, the car has been left behind by its rivals in many ways, including basic ergonomics and its value equation.
The larger engine does work well in this smaller package, and its road-holding ability belies its size. However, only die-hard fans of the Abarth brand will be able to cope with the uncomfortable seating position and a complete lack of even the most perfunctory features that cars costing $10,000 less are able to offer.
So, while I’ll admit a vehicle with such a massive, phallic bonnet and a cabin that seems to sit over the rear wheels is never going to be my favourite Ferrari, personally, it’s impossible to see how you could make a giant-bonneted V12-powered, heritage-hugging grand tourer look better than this.
Yes, it does look striking in pictures but in the flesh it is absolutely gob smacking, a thing of real beauty from some angles, and outrageous showiness from others.
Following one from behind, its massive, hunkered rear end actually brings to mind a Lamborghini Diablo, although I wouldn’t tell the many passionate Ferrari designers I met that.
They have a lot to say about why the 12Cilindri (and can we just discuss that name - yes, it is silly, in English, but when an Italian says it - Dodici Cilindri - with the properly poetical pronunciation, it really does make sense) looks as outrageously lovable as it does.
They reckon they were inspired by the exciting era of car design in the 1970s, but also by science fiction movies, and the desire to build something modern that also feels classic.
Take the black banded front end where the headlights live. “Our intent was to lose the human expression that cars have, to not have an actual human gaze, so it doesn’t have eyes.”
Of course, no car has actual eyes, but you get the idea, they didn’t want it to look like it has them, the way most vehicles do.
There’s also a lot of talk about dihedrals and monoliths. The 12Cilindri also has an incredible clam shell bonnet, which not only creates a sense of theatre when you open it but means there’s no cut line through the bonnet, adding to that sense of the whole front end being monolithic.
Then there are the many aero features, including two Batmobile-like flaps on the rear wing that activate to provide downforce when required - some 50kg of it at 250km/h.
I could go on and on, surely they did, but let’s just say this is one hugely impressive piece of car design. I know some people find it a little weird looking in photos, but they are simply wrong. It's beautiful in the flesh.
Despite being based on a design that’s a decade old, the Abarths still stand out. Based on the classic Fiat 500 shape of the 1950 and '60s, it’s more cute than cut-throat, with a narrow track and tall roof giving it a toy-like presence.
The Abarth attempts to beef things up with deep front and rear bumper splitters, go-fast stripes, new headlights and alternate-colour wing mirrors.
The 595 rides on 16-inch rims, while the Competizione runs 17s.
Inside, it’s definitely different to most mainstream cars, with colour-coded plastic panels on the dash and a very upright seating position, along with a dual-tone steering wheel.
It’s a love-it-or-hate-it proposition. There’s no middle ground here.
For what it is, a two-seat grand tourer/rocket ship, the space inside is perfectly functional, and there’s a large kind of overgrown parcel shelf where you can throw a back pack or your jackets if you need to.
You also get a 270-litre boot, which is, you guessed it, just big enough for a set of golf bags.
Keep in mind that there is literally no one on Earth who will buy this as their only car.
This is another area where the Abarth falls down. First and foremost, the seating position for the driver in both cars is utterly compromised.
The seat itself is mounted far, far, too high, and has little adjustment in any direction, and there is no reach adjustment in the steering wheel column to allow a taller (or even an average height) driver to get comfortable.
The more expensive Competizione we tested was fitted with a set of optional sports bucket seats from racing company Sabelt, but even they are mounted literally 10cm too high. They are also ultra firm, and even though they look supportive, lack decent side bolster support.
The tiny multimedia screen is okay to use, but the buttons are miniscule, while there’s a complete lack of storage places in the front.
There are two cupholders under the centre console, with two more in between the front seats for rear seat passengers. There are no bottle holders in the doors and no storage for rear seaters.
Speaking of the rear seats, they are the very definition of cramped, with little headroom for moderately sized adults and precious little knee or toe room. There are two sets of ISOFIX baby seat mounting points, though, should you fancy wrestling your wriggling toddlers through the narrow aperture.
The seats flip forward to reveal more cargo space (185 litres with the seats up, and 550 litres when the seats are down), but the seat backs don’t fold flat into the floor. Under the boot floor is a can of sealant and a pump, but no space saver spare.
In truth, it was a long day testing this car… at 187cm, I simply could not get comfortable in it at all.
So just how big are these big dollars we’re talking about, for a Ferrari 12Cilindri. Well take a big deep breath, because the Coupe we drove starts at $803,500 while the convertible Spider, which is also available for order is $886,800.
Yes, that does seem like a lot to just take the roof off, but we’re talking about customers who will likely pay over $1M for one of these cars by the time they’ve finished personalising and adding expensive options, so they won’t mind.
And, to be fair, aside from the Purosangue SUV, this is about as many square metres of Ferrari as your money can buy you - not to mention the most cubic centimetres of engine, at 6.5 litres.
There’s a fair slab of luxury inside with a new 10.2-inch central touchscreen that makes it easier to ignore just how poorly designed and difficult to use the haptic buttons on the steering wheel are.
This is where you can run your Apple CarPlay or Android Auto without the kind of frustrated screams you’ll hear in some Ferraris.
The driver also looks at his own lush 15.6-inch display while the passenger now gets an 8.8-inch screen of their own, which can tell them how fast the person next to them is driving, or allow them to choose music to distract them from the blurred scenery outside.
The 12Cilindri is also available with luxurious ventilated seats featuring massage functions, as well as heating and cooling. But if you don’t want that kind of frippery you can opt for the far sportier carbon-fibre bucket seats instead.
Similarly, you can choose to have a very snazzy looking tinted glass roof or a carbon-fibre one, if you're very serious about lowering your centre of gravity.
Those kind of choices actually speak to the fact that the 12Cilindri is very much trying to be two cars at once; a luxurious and powerful Grand Tourer in the tradition of gentlemen drivers exploring Europe by road and, effectively, a supremely fast supercar, although Ferrari admits it is no longer the ultimate vehicle in its range, because more modern hybrid heroes like the 296 GTB and SF90 are, today, much more impressive when it comes to pure pace.
The range has been stripped back to just two cars, and costs has come down slightly, with the 595 now starting at $26,990, plus on-road costs.
A new 5.0-inch touchscreen multimedia system (with digital radio), a leather wrapped steering wheel, TFT dash display, rear parking sensors, alloy pedals, 16-inch alloy rims, and (front-only) adaptive dampers are standard on the base 595.
A convertible, or more accurately, a rag-top (cabriolet) version of the 595 is also available for $29,990.
The 595 Competizione is now a whopping $8010 cheaper at $31,990 with a manual gearbox, leather seats (Sabelt-branded sports buckets are optional), 17-inch alloys, a louder Monza exhaust, as well as front and rear adaptive Koni shocks, and Eibach springs.
Unfortunately, what stands out more on the Abarths is what they don’t come with. Auto lights and wipers, cruise control of any sort, driver aids including AEB and adaptive cruise… even a rear view camera is missing.
What’s more puzzling is that the Abarth’s architecture, though a decade old, has provision to accept at least a rear view camera.
Abarth’s explanation that the car’s home market doesn’t see these inclusions as important doesn’t really hold water, either.
In terms of value, the lack of basic content sends the Abarth to the bottom of a competitive pile that includes both the Ford Fiesta ST and the Volkswagen Polo GTI.
This stupendous, trumpeting, mid-mounted 6.5-litre V12 (it’s mounted just beneath the windscreen, effectively, which actually looks a bit weird when you lift up that big clamshell bonnet, but makes sense in terms of mid-engine balance for handling) is a further development of what was already a fearsome powerplant in the vehicle that precedes this, the Ferrari 812 Superfast.
This new version also gets an eight-speed dual-clutch transmission, instead of the old seven-speed one, which theoretically provides better economy, as if the owners will care, but also provides “more driving enjoyment” as its shift times are now 30 per cent faster.
The V12 itself, naturally aspirated remember, now revs even higher, with maximum power of 610kW arriving at a very, very loud 9250rpm, just short of the 9500rpm redline.
What is incredible about that rev number is just how effortlessly and easily the engine will climb to those heights, repeatedly and addictively.
Ferrari says it’s also developed something called 'Aspirated Torque Shaping', which allows it to “sculpt” the torque curve in relation to engine speed and the gear selected, with 80 per cent of its 678Nm kicking in from 2500rpm.
The goal of this, on which it delivers, is to provide a sense of “seemingly endless acceleration”, particularly in third and fourth gear, where the car’s happy place exists.
All that grunt will hurl you to 100km/h in 2.9 seconds or from a standing start to 200km/h in 7.8. No, it's not the fastest power plant Ferrari now makes, but in terms of its intended goal of being the greatest naturally aspirated V12 ever, it's a 10 out of 10 effort.
There is no way that Ferrari will get away with making another engine like this, so it’s fitting that it’s going out on an operatic high note.
The Abarth 595 pair use the same 1.4-litre 'MultiJet' four-cylinder turbo engine in differing states of tune. The base car makes 107kW/206Nm, while the Competizione makes 132kW/250Nm, thanks to a freer-flowing exhaust, a larger Garrett-branded turbocharger and an ECU re-tune.
The base car can do 0-100km/h in 7.8 seconds, while the Competizione is 1.2 seconds quicker; the optional 'Dualogic' automatic is 0.2sec slower to the mark in both cars.
A five-speed manual gearbox is standard, and neither car is fitted with a limited slip diff.
Move along, nothing to see here. Well, nothing you wouldn’t expect, except for the fact the Ferrari 12Cilindri is fully emissions compliant with the 2026 Euro-6-E standard. Incredibly. A ceramic catalytic converter is part of the magic, apparently, but a lot of effort has clearly gone into all areas of emissions.
Its CO2 emissions are claimed to be 353g/km, but then its fuel efficiency is a claimed 15.5 litres per 100km, and that’s just having a laugh.
Despite having a 92-litre tank, I was shown a predicted range of just over 415km when full, and was down to a predicted 300km to go after draining a quarter of a tank. Even EVs can do better than that.
Over 150km of testing, the Competizione consumed a dash-indicated 8.7 litres per 100km, against a claimed combined fuel economy figure of 6.0L/100km. Our brief test of the 595 revealed a similar number, against the same claimed figure.
The Abarth will only accept 95 octane fuel or better, and its small 35-litre tank is good for a theoretical 583km between fills.
To say that our first drive of the Ferrari 12Cilindri was impacted by nasty wet weather and standing water on slick and narrow European roads would be like saying that going outside naked when it’s snowing impacted your level of goose flesh.
For the first 30 minutes I was breathing like someone who’d just been pushed out of a plane with no parachute. When trucks came towards me, and when the rear wheels scrabbled madly to find grip - bringing to mind the whirling legs of the cartoon Road Runner - I breathed in so severely that I think I now have a pair of boxer shorts stuck in my chest cavity.
Fortunately, Ferraris have a 'Wet' setting, which is a work of genius, sensing the amount of grip you might not have and adjusting the power delivery to keep you safe. Remarkably, even in this mode, you don’t feel short changed on power in this wild V12-powered machine.
Unfortunately, the combination of my work ethic, professional pride and male ego meant that I could not allow myself to stay in Wet mode and would occasionally switch to 'Sport', when the rain eased up and the road almost dried out.
It was during these times that, after about an hour, I really started to gel with the Dodici Cilindri and found opportunities to enjoy its stupendously operatic soundtrack.
Much as the emissions laws have squeezed the engine, new sound regulations mean this V12 Ferrari must be quieter, in theory, than ever before, at least from outside.
But the sound designers have gone to a lot of trouble to make sure the sensational noise of this engine spinning its way to 9000rpm-plus finds its way into the cabin, and into your ears, and your very soul.
The temptation to give it plenty in the lower gears was thus overpowering and unending, but this grand tourer is so powerful that exploring the upper ranges in any gear means warping straight past speed limits, and sane behaviour.
Fortunately, the 12Cilindri has stupendous brakes, and while its extreme length - almost 5.0m - causes some nose lifting under acceleration and diving under hard stopping, the car’s mid-engined balance means you always feel planted and in control.
The steering is also super sharp and, while it takes some getting used to, the accuracy of its turn-in encourages you to push harder and harder. I had a fantastic time driving it through long sweeping bends, and a slightly more stressful time in sharp hairpins.
This Grand Tourer really is two cars in one, however, because if you leave the gearbox in Automatic it really does take all the effort away, riding its wall of torque and seemingly capable of driving at any speed from 40km/h to 240km/h in seventh or eighth gear.
It is far more fun, and frightening of course, to change the gears yourself, and explore those higher, scintillating rev ranges.
So, it’s a great car, a collector’s piece, because they’ll never make another one like it, and a moving piece of visual drama. The only problem I have with the 12Cilindri is it’s just not the best Ferrari a huge whack of cash can buy.
Indeed, the Ferrari 296 GTB is not only the best Ferrari I’ve ever driven, it’s the best car I’ve ever been lucky enough to sit in, and it’s more than $100K cheaper.
Apparently the thing to do, if you’re a Ferraristi, is to have one of each. Sounds good.
Ergonomics aside, the combination of torquey engine and lightweight car is always a good one, and the 1.4-litre turbocharged four is a good match with the front-drive Abarth.
There’s always enough mid-range urge to give the Abarth the hurry-up, and the longer-legged five-speed gearbox is a good match for the engine.
It also grips and turns surprisingly well, despite the Sport button adding too much artificial weight to the Abarth’s steering feel.
That same button also firms up the front dampers on the 595 and all four on the Competizione, which works well on smoother terrain, but stiffens it too much over more undulating surfaces.
Around town it can be hard to strike a good balance between ride and comfort. The difference between soft and firm is much more pronounced in the Competizione, but it will still get tiring if your commute is a bumpy one.
The turning circle, by the by, is ridiculously large for such a small car, making u-turns - already compromised by the lower front bumper - unnecessarily fraught.
The Monza exhaust on the Competizione gives it a bit more presence, but it could easily be louder (or at least more crackly) again; you’re not buying this car to be a wallflower, after all.
The Ferrari 12Cilindri has not been ANCAP tested, nor is that ever likely to happen.
As well as a new brake-by-wire system and improved brakes that promise shorter stopping distances, this Ferrari is packed with software designed to keep you on the road, including 'Side Slip Control' and too many levels of traction control to count.
It also features, as standard, adaptive cruise control, 'Surround View', 'Assisted Emergency Braking', lane keeping assist, 'Traffic Sign Assistance' and 'DDAW' or Driver Drowsiness and Attention Warning.
Despite a lack of electronic safety aids – and, somewhat amazingly in the current age, a rear-view camera – the Fiat 500 that forms the Abarth's basis still carries the maximum five-star rating from ANCAP it was awarded in 2008, by dint of its seven airbags and bodyshell strength.
It wouldn’t have the same luck if it were judged under new ANCAP regs coming into force in 2018, though.
Like all Ferrari’s, the 12Cilindri comes with a seven-year, unlimited km warranty and a free-of-charge seven-year maintenance program covering all regular maintenance for the first seven years of the car’s life.
Service intervals are once a year, or every 20,000km.
A three-year/150,000km warranty is offered as standard on the Abarth 595 range, with a suggested service interval of 12 months or 15,000km.
Abarth importer Fiat Chrysler Automobiles Australia offers three fixed-priced services for the 595 range at 15,000, 30,000 and 45,000km, with the first costing $275.06, the second $721.03 and the third $275.06.